Posts Tagged ‘Victoria Tennant’

Answering Emails About Movies, INVICTUS,THE ASSASSINATION OF JESSE JAMES,AVATAR,and IRENE IN TIME

Monday, April 12th, 2010

“I really like your take on Westerns,  what did you think of the ASSASSINATION OF JESSE JAMES, starring Brad Pitt? just curious”

This is an old email, so sorry for the delay ATL; I missed this film in  the theater, nor did I buy the DVD, but I did see it on AMC last night. I thought Brad Pitt’s performance was very credible; I thought Casey Affleck did a marvelous job, as did Jeremy Renner. However, I understand the Director is from New Zealand, and that shows….the film is not so much a Western but a Chamber Piece, a European Chamber piece.

In fact it maybe the first Ingmar Bergman/Swedish Western, but even more than that, it reeked of Stanley Kubrick’s BARRY LYNDON, more set piece than fluidity. I think Westerns by definition, should be fluid. Even when Brad Pitt beats up the kid, well that is a replay of BARRY LYNDON abusing people.I see it as a permanent B MOVIE, an under card film showing the influence of BARRY LYNDON on Kiwi film makers who try to make Westerns. 

“I thought INVICTUS with Morgan Freeman should have been your choice for best film of 2009.”

Dr.M, MIT alumnus

Well Dr M from MIT, the IRENE IN TIME DVD will be out this month,buy it…it is a remarkable exploration of modern American women. It not only entertained me, I learned something from it; it was thought provoking.

As for INVICTUS, when I see a film about South Africa, I want some  insight into the unique qualities of that special mosaic, not slogans. I specifically want to know how the white population, outnumbered 5 to 1 by the Blacks(and that is not even counting the Coloreds and the Indians) thought they could maintain control.

For that, to be entertained and informed, please view THE WILBY CONSPIRACY, starring Sidney Poitier, Michael Caine and Nicol Williamson.

Mr. Williamson is magnificent,with the best interpretation of a Boer racist I have ever seen. He explains it all, in one performance, the authority, the arrogance, the menace and the ultimate failure of racism in South Africa.

 Nicol Williamson in THE WILBY CONSPIRACY

If you want an accurate portrayal of Mr. Mandela’s courage, don’t  look to Matt Damon as a representative of the men Mr. Mandela fought, look to Mr. Williamson. Then you will understand, by the menace of his foes, how great Mandela was and is.

The late Stan Rice(Anne Rice’s husband), once told me that a wet performance by a great actor about history or social events is almost as good, or better, than a dry book by a historian.

Mr. Williamson’s performance is WET.

“Irene in Time, get real, what about Avatar?”

Henry Jaglom’s IRENE IN TIME, in it, there is a scene betwen Victoria Tennant and Tanna Frederick which rivals anything done in THE HEIRESS between Miriam Hopkins and Olivia DeHavilland about what survival skills women need to have when they are in love with reckless men. For that scene alone, it should be Best Film of 2009. I stand by my choice.

As for AVATAR, what can I say, it has grossed 712B dollars, great entertainment. However, James Cameron is a Canadian, and AVATAR is a very Canadian film.

Canadians have a very precious attitude toward indigeous people, mainly because to build Canada, they did not have to fight the greatest warriors in the world, the Apache, or the Lords of the Plains, the Comanche, or Cheyenne Dog Soldiers, or Lakota like Crazy Horse.

Canadians can idealize indigenous cultures because they never had to fight them for the land itself; Americans could not afford to idealize the Apache, they were too afraid of them.

A liitle American fear would have gone a long way in AVATAR. 

The Best Movie of 2009…..IRENE IN TIME

Thursday, December 31st, 2009
After seeing all the films, I assume will receive Oscar nominations this year, for Best Picture, I was not going to pick a Best Picture for 2009.
Then I read this letter to the Arts Editor in The Los Angeles Times about AVATAR.
“Though it is not difficult to see how they spent more than $350 million to produce “Avatar,” it is difficult to understand why — except the obvious motive that they hope it will earn back an even larger fortune, not only from the theater ticket sales, but also from all of the commercial tie-ins it has and will generate.

Remembering H.L. Mencken’s quote that “No one ever went broke underestimating the (bad) taste of the American public,” they very well might succeed.

However, as for the movie itself, you’ve probably seen it all before: If you have seen “Jurassic Park,” “The Lord of the Rings,” “Star Wars,” “Apocalypse Now,” old “cowboys and Indians” B-movies, and any of a number of other films in all of these genres — and then throw in a healthy dose of Busby Berkeley kitsch — there is nothing new in “Avatar.” You’ve also heard it all before, from the cliché-riddled dialogue to the “boom boom” and “screech screech” sound effects; even the score by James Horner channels everyone from Gustav Holst and Edward Elgar to Howard Shore.

Ron Streicher

That letter made me reflect on the films I had seen in 2009; and upon reflection, it became evident to me, that I had seen a film which was original, had stunning performances, packed a life lesson,had outstanding music, and a point of view. IRENE IN TIME, Written and  Directed by Henry Jaglom is a vest pocket masterpiece.

I have often wondered about the individual back stories of the female contestants on Reality Tv programs. How they, in good conscience, could evacuate privacy from their lives?

Jaglom  is the leading exponent of Bergmanesque among our current crop of film makers/playwrights. Here, working in an Ingmar Bergman vein of humanistic discovery, he takes a devastating look at the back stories of all those inane female REALITY TV contestants. He has caught their pulse. The heroine, IRENE does not wind up on a Reality Show, but that was the only other logical choice in her life.

Tanna Frederick is wonderful, in her portrayal of total, complete, almost  catholic vulnerability; Her every action, every thought is afflicted with the leprosy of vulnerability.  The ground that Ibsen and Tolstoy pioneered in trying to explain modern women gets a full, fruitful vetting in her performance.

Ms. Frederick’s performance is keenly supported by Kelly DeSarla, who gives a seasoned, and ripe performance as the lesbian who has a great deal of issues with her reprobate,not so recovering, drug addict of a father, played by David Proval of THE SOPRANOS.

The best scene  in the film, in my opinion, is the dialog between IRENE, and her mother, played brilliantly by Victoria Tennant.  Not bitter, but wise and bittersweet, the mother desperately tries to explain to her daughter the lure, and danger, hope and shipwreck, she experienced being married to IRENE’s father, the danger of being married to an emotionally reckless man.

 I sincerely hope some kind soul will splice that scene and send it to Elin Nordegren,she needs it.

As for the original  music in IRENE IN TIME, scored by Harriet Schock; it is sublime.

BEST DOCUMENTARY remains GOOD HAIR, which did not made the cut for the Oscar.

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