Posts Tagged ‘IBSEN’

A Children’s Film For the Ages:”THE RAILWAY CHILDREN”

Sunday, May 2nd, 2010

I have been remiss, so my apologies. Lionel Jeffries died in February of this year, and I failed to note his passing earlier. He was a great British character actor.

Which doesn’t interest this blog.

Mr.  Lionel Jeffries Adapted and Directed one of the great children’s films of all time, THE RAILWAY CHILDREN, starring one of my all time crushes, JENNY AGUTTER.

I am borrowing this 2004 review from IMBD,

Lionel Jeffries’ Greatest Achievement

I avoided this film as a boy because I thought it would be boring…no fights or shooting, cops, robbers, cowboys or Indians. It was definitely not a cool film to like. So I didn’t see TRC until I was in my twenties and found it one of the most beautiful, captivating films I have seen. All the actors deliver the characterisations perfectly and each emotion is drawn from the viewer scene by scene. The filming and direction are deceptively simple but feel so natural and drew me completely into the story. My two favourite scenes are Bobbie’s birthday party and the scene on the station platform near the end, directed and edited to perfection. The quality and phrasing of Jenny Agutter’s voice when she calls: ‘Daddy! My Daddy!’ wrenches emotion from the viewer. Tears are welling in my eyes as I think of it.”

This adaptation isn’t just a movie it is a piece of precious art, as well as being the perfect example of what all film makers should be striving to achieve…creation of an emotional experience.”

I can’t top that review, all I can say is this; it is one of the most serene films I have ever seen. Little girls will love it, but perhaps more  importantly, if you have a little boy, say 8 to 10, whom  you are stuffing with Ritalin so he won’t kill someone, tie him down and make him watch this film.

It will do more for him than therapy or a handful of pills. It is true Zen.

The film is based on the book, “The Railway Children , by Edith Nesbit, originally serialised in The London Magazine during 1905 and first published in book form in 1906. ”

In that children’s book, by this Victorian lady writer, published in the middle of the Edwardian Age, 105 years ago, is the most sane philosophy I have ever encountered; the best philosophy I have ever encountered. The best explanation of life I have ever encountered, better than Tolstoi or Stendahl, or Ibsen, or Salinger, better than  Garcia Marquez or Camus or Hemingway.

“Very wonderful and beautiful things do happen, don’t they? And we live most of our lives in the hope of them” (E.Nesbit - ‘The Railway Children’). 

That sums it all up.

 

  THE RAILWAY CHILDREN

THE RAILWAY CHILDREN’S Trailer

http://www.youtube.com/watch?v=Vw43SSzutlE

SIDEBAR

 chriswales19 July 23, 2009I can’t believe this wasn’t on youtube ! One of the greatest moments in British Film History - Daddy My Daddy ! And the charming closing credits. Beautiful film, Britain at its best. (And isn’t the music just wonderful ?)

http://www.youtube.com/watch?v=9yXyxgLMmK8

The Best Movie of 2009…..IRENE IN TIME

Thursday, December 31st, 2009
After seeing all the films, I assume will receive Oscar nominations this year, for Best Picture, I was not going to pick a Best Picture for 2009.
Then I read this letter to the Arts Editor in The Los Angeles Times about AVATAR.
“Though it is not difficult to see how they spent more than $350 million to produce “Avatar,” it is difficult to understand why — except the obvious motive that they hope it will earn back an even larger fortune, not only from the theater ticket sales, but also from all of the commercial tie-ins it has and will generate.

Remembering H.L. Mencken’s quote that “No one ever went broke underestimating the (bad) taste of the American public,” they very well might succeed.

However, as for the movie itself, you’ve probably seen it all before: If you have seen “Jurassic Park,” “The Lord of the Rings,” “Star Wars,” “Apocalypse Now,” old “cowboys and Indians” B-movies, and any of a number of other films in all of these genres — and then throw in a healthy dose of Busby Berkeley kitsch — there is nothing new in “Avatar.” You’ve also heard it all before, from the cliché-riddled dialogue to the “boom boom” and “screech screech” sound effects; even the score by James Horner channels everyone from Gustav Holst and Edward Elgar to Howard Shore.

Ron Streicher

That letter made me reflect on the films I had seen in 2009; and upon reflection, it became evident to me, that I had seen a film which was original, had stunning performances, packed a life lesson,had outstanding music, and a point of view. IRENE IN TIME, Written and  Directed by Henry Jaglom is a vest pocket masterpiece.

I have often wondered about the individual back stories of the female contestants on Reality Tv programs. How they, in good conscience, could evacuate privacy from their lives?

Jaglom  is the leading exponent of Bergmanesque among our current crop of film makers/playwrights. Here, working in an Ingmar Bergman vein of humanistic discovery, he takes a devastating look at the back stories of all those inane female REALITY TV contestants. He has caught their pulse. The heroine, IRENE does not wind up on a Reality Show, but that was the only other logical choice in her life.

Tanna Frederick is wonderful, in her portrayal of total, complete, almost  catholic vulnerability; Her every action, every thought is afflicted with the leprosy of vulnerability.  The ground that Ibsen and Tolstoy pioneered in trying to explain modern women gets a full, fruitful vetting in her performance.

Ms. Frederick’s performance is keenly supported by Kelly DeSarla, who gives a seasoned, and ripe performance as the lesbian who has a great deal of issues with her reprobate,not so recovering, drug addict of a father, played by David Proval of THE SOPRANOS.

The best scene  in the film, in my opinion, is the dialog between IRENE, and her mother, played brilliantly by Victoria Tennant.  Not bitter, but wise and bittersweet, the mother desperately tries to explain to her daughter the lure, and danger, hope and shipwreck, she experienced being married to IRENE’s father, the danger of being married to an emotionally reckless man.

 I sincerely hope some kind soul will splice that scene and send it to Elin Nordegren,she needs it.

As for the original  music in IRENE IN TIME, scored by Harriet Schock; it is sublime.

BEST DOCUMENTARY remains GOOD HAIR, which did not made the cut for the Oscar.

ibsen, CHEKHOV

Thursday, April 16th, 2009

“Theater insiders often claim that admiration for and understanding of the works of Ibsen and Chekhov are mutually exclusive.”

Since I loathe ibsen and worship CHEKHOV, I agree wholeheartedly.

WHY IS AMERICA SO VIOLENT?

Thursday, April 9th, 2009

I have been on Jury Duty for a week, at the Criminal Courthouse in downtown Los Angeles, dealing with an assault on a Los Angeles policeman. 

Over the weekend, I turned on CNN and there was a debate about the spate of senseless killings currently cascading around America, from Pittsburg to Washington, to New York, to Alabama.

The politically correct panelists believed the reason for all this killing was GUNS.

The anchor said that he had visited places in Europe, where the policemen did not carry guns, and there was minimal violence, ergo the devil is in the Guns.

Well, I have been to a place in Europe, where the policemen did not carry guns, and there was minimal violence. And it was in that place, that an unarmed policemen gave me the real reason why America is so violent.

It was in Oslo, Norway, when Oslo was still quaint. How quaint was it?  This was when Norway  was pre globalization; there were no Kurdish refugees, nor Third World servants. The only foreign born people there were Canadian men who had married Norwegian girls to get in on the oil stipends. Really quaint. How quaint was it?

I was a customer at the “hippest” bar in Oslo; and the entertainment was, and I kid you not, a condensed version of the Edvard Grieg Opera, PEER GYNT.  Not a parody, but a condensed version. I was stupefied, I mean I was in the hippiest bar in Oslo, listening to PEER GYNT, ……AH, the QUAINT DAYS OF YORE.

I am not a big fan of PEER GYNT under any circumstances( I hate IBSEN, who wrote the material on which the opera is based).  Two Norwegian icons, IBSEN and GRIEG.

In response to all this Norwegian genius, I was drinking a lot, a LOT of aquavit.

So the bar closes, I find myself drunk on some cobblestone street in downtown Oslo, staggering and lost. No one else is around and I am seeing ghosts of Viking berserkers.

Then behind me there are footsteps, I am not worried because there is no crime in Oslo, or wasn’t. So I hitch my courage to the hitching post and turn to meet the footsteps in person.

It is a cop, an unarmed cop, a young man, unarmed. Cheerful, a cheerful Norwegian, that  anomaly alone sobered me up.

I tell him, I am lost and need to get back to the hotel, and no taxis seem to be running.

He tells me, like all Norwegians his English is perfect,  he will walk me back to hotel, which is nearby, but he must continue his rounds.

So I accompany him on his rounds, which is primarily this…he checks the doors to see if they are locked. If they are not locked he puts a note on them , telling the owners they forgot to lock their doors.  In a way, quaint times were so cool.

Sobered, I asked him, didn’t he feel naked? unprotected? By not  carrying a  gun.

He replied, “No, I feel very safe”.

I asked him “Why”

“That is simple, all the violent criminals have emigrated to America.”

And that is it in a nutshell; that is why America is so violent, all the criminals have immigrated here.

Australia was founded by prisoners, we are founded and resupplied by violent criminals, the Yakuza, the Mexican Mafia, the Israeli Mafia, the Cosa Nostra,  the Tong, the Russian Mafia, Jamaican Posses, …we come from the GANGS of NEW YORK. 

This nation has always been a magnet for violent people, the bloodlines that flow into this nation are violent.  Even the Norwegians pack off their berserkers to us.

The amazing miracle is how civil, and civilized we are from the mixture of our bloodlines. From a nation of wolves, we have created laws. We are a great people, senseless killings notwithstanding. 

SIDEBAR

Akvavit (also spelled aquavit or akevitt) is a flavored spirit that is produced in Scandinavia and typically contains 40% alcohol by volume. Its name comes from aqua vitae, the Latin for “water of life,” and is pronounced

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